{"@context":"http://iiif.io/api/presentation/3/context.json","id":"https://aviary.library.vanderbilt.edu/iiif/s17sn03471/manifest","type":"Manifest","label":{"en":["Phil Schaap on NPR 2/11/1991 about Benedetti Tapes of Bird"]},"logo":"https://d9jk7wjtjpu5g.cloudfront.net/organizations/logo_images/000/000/231/original/V_JAH-LIB_White_rgb.png?1657142461","metadata":[{"label":{"en":["Description"]},"value":{"en":["\u003cp\u003eIn this 1991 NPR interview, Phil Schaap discusses the rediscovered Dean Benedetti recordings of Charlie Parker, released by Mosaic Records. Benedetti, a devoted Parker fan and saxophonist, secretly recorded Parker’s nightclub solos in 1947–48, preserving about ten hours of music from key bebop performances in Los Angeles and New York. Schaap explains that the tapes capture Parker at two pivotal moments: his comeback after Camarillo State Mental Hospital and his later peak with a quintet featuring Miles Davis and Max Roach. Although the recordings are incomplete and technically rough, Schaap argues they are invaluable for serious jazz listeners and scholars because they provide direct documentation of Parker’s improvisational genius.\u003c/p\u003e","\u003cp\u003eAudio cassette (19910211PS.Y9)\u003c/p\u003e (source)"]}},{"label":{"en":["Rights Statement"]},"value":{"en":["\u003cp\u003eThis item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).\u003c/p\u003e"]}},{"label":{"en":["Preferred Citation"]},"value":{"en":["\u003cp\u003e[Resource Title], Phil Schaap Jazz Collection, Special Collections Library, Vanderbilt University, Nashville, TN\u003c/p\u003e"]}},{"label":{"en":["Date"]},"value":{"en":["1991-02-11 (broadcast)"]}},{"label":{"en":["Type"]},"value":{"en":["Radio programs"]}},{"label":{"en":["Agent"]},"value":{"en":["National Public Radio (U.S.) (Broadcaster)","Schaap, Phil (Interviewee)"]}},{"label":{"en":["Format"]},"value":{"en":["Audio cassette"]}},{"label":{"en":["Subject"]},"value":{"en":["Jazz -- 1941-1950","Parker, Charlie, 1920-1955","Benedetti, Dean, 1922-1957"]}},{"label":{"en":["Language"]},"value":{"en":["English"]}}],"summary":{"en":["\u003cp\u003eIn this 1991 NPR interview, Phil Schaap discusses the rediscovered Dean Benedetti recordings of Charlie Parker, released by Mosaic Records. Benedetti, a devoted Parker fan and saxophonist, secretly recorded Parker\u0026rsquo;s nightclub solos in 1947\u0026ndash;48, preserving about ten hours of music from key bebop performances in Los Angeles and New York. Schaap explains that the tapes capture Parker at two pivotal moments: his comeback after Camarillo State Mental Hospital and his later peak with a quintet featuring Miles Davis and Max Roach.\u0026nbsp;Although the recordings are incomplete and technically rough, Schaap argues they are invaluable for serious jazz listeners and scholars because they provide direct documentation of Parker\u0026rsquo;s improvisational genius.\u003c/p\u003e","\u003cp\u003eAudio cassette (19910211PS.Y9)\u003c/p\u003e"]},"requiredStatement":{"label":{"en":["Attribution"]},"value":{"en":["\u003cp\u003eThis item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).\u003c/p\u003e"]}},"provider":[{"id":"https://aviary.library.vanderbilt.edu/aboutus","type":"Agent","label":{"en":["Vanderbilt University Libraries"]},"homepage":[{"id":"https://aviary.library.vanderbilt.edu/","type":"Text","label":{"en":["Vanderbilt University Libraries"]},"format":"text/html"}],"logo":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/organizations/logo_images/000/000/231/original/V_JAH-LIB_White_rgb.png?1657142461","type":"Image"}]}],"thumbnail":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/collection_resource_files/thumbnails/000/297/402/small/Schaap-Marsalis--%28used_for_Interviews%29.jpg?1763143264","type":"Image","format":"image/jpeg"}],"items":[{"id":"https://aviary.library.vanderbilt.edu/collections/2137/collection_resources/163310/file/297402","type":"Canvas","label":{"en":["Media File 1 of 1 - spc-mss1070-1991-02-11_Phil_Schaap_on_NPR_about_Benedetti_Tapes_of_Bird_1-1.mp3"]},"duration":534.984,"width":640,"height":360,"thumbnail":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/collection_resource_files/thumbnails/000/297/402/small/Schaap-Marsalis--%28used_for_Interviews%29.jpg?1763143264","type":"Image","format":"image/jpeg"}],"items":[{"id":"https://aviary.library.vanderbilt.edu/collections/2137/collection_resources/163310/file/297402/content/1","type":"AnnotationPage","items":[{"id":"https://aviary.library.vanderbilt.edu/collections/2137/collection_resources/163310/file/297402/content/1/annotation/1","type":"Annotation","motivation":"painting","body":{"id":"https://aviary-p-vanderbiltlibrary.s3.wasabisys.com/collection_resource_files/resource_files/000/297/402/original/spc-mss1070-1991-02-11_Phil_Schaap_on_NPR_about_Benedetti_Tapes_of_Bird_1-1.mp3?1763143240","type":"Audio","format":"audio/mpeg","duration":534.984,"width":640,"height":360},"target":"https://aviary.library.vanderbilt.edu/collections/2137/collection_resources/163310/file/297402","metadata":[]}]}],"annotations":[{"id":"https://aviary.library.vanderbilt.edu/collections/2137/collection_resources/163310/file/297402/transcript/93910","type":"AnnotationPage","label":{"en":["spc-mss1070-1991-02-11_Phil_Schaap_on_NPR_about_Benedetti_Tapes_of_Bird_1-1 [Transcript]"]},"items":[{"id":"https://aviary.library.vanderbilt.edu/collections/2137/collection_resources/163310/file/297402/transcript/93910/annotation/1","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Charlie Parker playing his saxophone in a nightclub years ago.","format":"text/plain"},"target":"https://aviary.library.vanderbilt.edu/collections/2137/collection_resources/163310/file/297402#t=8.0,12.41"},{"id":"https://aviary.library.vanderbilt.edu/collections/2137/collection_resources/163310/file/297402/transcript/93910/annotation/2","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Sitting in the audience, a young man with a recording machine.","format":"text/plain"},"target":"https://aviary.library.vanderbilt.edu/collections/2137/collection_resources/163310/file/297402#t=12.41,15.91"},{"id":"https://aviary.library.vanderbilt.edu/collections/2137/collection_resources/163310/file/297402/transcript/93910/annotation/3","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"His name was Dean Benedetti.","format":"text/plain"},"target":"https://aviary.library.vanderbilt.edu/collections/2137/collection_resources/163310/file/297402#t=15.91,17.94"},{"id":"https://aviary.library.vanderbilt.edu/collections/2137/collection_resources/163310/file/297402/transcript/93910/annotation/4","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"He also played the saxophone, but he was enthralled with Parker's music and wanted every note.","format":"text/plain"},"target":"https://aviary.library.vanderbilt.edu/collections/2137/collection_resources/163310/file/297402#t=17.94,23.44"},{"id":"https://aviary.library.vanderbilt.edu/collections/2137/collection_resources/163310/file/297402/transcript/93910/annotation/5","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"He recorded only the solos.","format":"text/plain"},"target":"https://aviary.library.vanderbilt.edu/collections/2137/collection_resources/163310/file/297402#t=23.44,25.67"},{"id":"https://aviary.library.vanderbilt.edu/collections/2137/collection_resources/163310/file/297402/transcript/93910/annotation/6","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"When Parker stepped back, Benedetti turned off the machine.","format":"text/plain"},"target":"https://aviary.library.vanderbilt.edu/collections/2137/collection_resources/163310/file/297402#t=25.67,29.0"},{"id":"https://aviary.library.vanderbilt.edu/collections/2137/collection_resources/163310/file/297402/transcript/93910/annotation/7","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"But still, he accumulated ten hours of music.","format":"text/plain"},"target":"https://aviary.library.vanderbilt.edu/collections/2137/collection_resources/163310/file/297402#t=29.0,32.3"},{"id":"https://aviary.library.vanderbilt.edu/collections/2137/collection_resources/163310/file/297402/transcript/93910/annotation/8","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"In 1947 and 48, using a disc recorder","format":"text/plain"},"target":"https://aviary.library.vanderbilt.edu/collections/2137/collection_resources/163310/file/297402#t=32.3,35.34"},{"id":"https://aviary.library.vanderbilt.edu/collections/2137/collection_resources/163310/file/297402/transcript/93910/annotation/9","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"and then paper-based reel-to-reel tape,","format":"text/plain"},"target":"https://aviary.library.vanderbilt.edu/collections/2137/collection_resources/163310/file/297402#t=35.34,38.0"},{"id":"https://aviary.library.vanderbilt.edu/collections/2137/collection_resources/163310/file/297402/transcript/93910/annotation/10","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Charlie Parker's solos from the Hi-De-Ho in Los Angeles","format":"text/plain"},"target":"https://aviary.library.vanderbilt.edu/collections/2137/collection_resources/163310/file/297402#t=38.0,41.3"},{"id":"https://aviary.library.vanderbilt.edu/collections/2137/collection_resources/163310/file/297402/transcript/93910/annotation/11","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"and the Three Deuces in the Onyx Clubs in New York.","format":"text/plain"},"target":"https://aviary.library.vanderbilt.edu/collections/2137/collection_resources/163310/file/297402#t=41.3,43.99"},{"id":"https://aviary.library.vanderbilt.edu/collections/2137/collection_resources/163310/file/297402/transcript/93910/annotation/12","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"The Benedetti tapes were missing for years","format":"text/plain"},"target":"https://aviary.library.vanderbilt.edu/collections/2137/collection_resources/163310/file/297402#t=43.99,47.23"},{"id":"https://aviary.library.vanderbilt.edu/collections/2137/collection_resources/163310/file/297402/transcript/93910/annotation/13","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"and became a matter of jazz legend.","format":"text/plain"},"target":"https://aviary.library.vanderbilt.edu/collections/2137/collection_resources/163310/file/297402#t=47.23,49.45"},{"id":"https://aviary.library.vanderbilt.edu/collections/2137/collection_resources/163310/file/297402/transcript/93910/annotation/14","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Some people doubted they even existed,","format":"text/plain"},"target":"https://aviary.library.vanderbilt.edu/collections/2137/collection_resources/163310/file/297402#t=49.45,51.63"},{"id":"https://aviary.library.vanderbilt.edu/collections/2137/collection_resources/163310/file/297402/transcript/93910/annotation/15","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"but the music is now available in a box set from Mosaic Records.","format":"text/plain"},"target":"https://aviary.library.vanderbilt.edu/collections/2137/collection_resources/163310/file/297402#t=51.63,55.97"},{"id":"https://aviary.library.vanderbilt.edu/collections/2137/collection_resources/163310/file/297402/transcript/93910/annotation/16","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Phil Schaap is the producer.","format":"text/plain"},"target":"https://aviary.library.vanderbilt.edu/collections/2137/collection_resources/163310/file/297402#t=55.97,57.45"},{"id":"https://aviary.library.vanderbilt.edu/collections/2137/collection_resources/163310/file/297402/transcript/93910/annotation/17","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"He worked on the set for three years.","format":"text/plain"},"target":"https://aviary.library.vanderbilt.edu/collections/2137/collection_resources/163310/file/297402#t=57.45,60.16"},{"id":"https://aviary.library.vanderbilt.edu/collections/2137/collection_resources/163310/file/297402/transcript/93910/annotation/18","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Schapp explains the recordings date from the beginnings of bebop","format":"text/plain"},"target":"https://aviary.library.vanderbilt.edu/collections/2137/collection_resources/163310/file/297402#t=60.16,62.91"},{"id":"https://aviary.library.vanderbilt.edu/collections/2137/collection_resources/163310/file/297402/transcript/93910/annotation/19","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"and a very important juncture in Charlie Parker's career.","format":"text/plain"},"target":"https://aviary.library.vanderbilt.edu/collections/2137/collection_resources/163310/file/297402#t=62.91,66.0"},{"id":"https://aviary.library.vanderbilt.edu/collections/2137/collection_resources/163310/file/297402/transcript/93910/annotation/20","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"The first crossroads is his emergence from Camarillo State Mental Hospital in California.","format":"text/plain"},"target":"https://aviary.library.vanderbilt.edu/collections/2137/collection_resources/163310/file/297402#t=66.0,70.99"},{"id":"https://aviary.library.vanderbilt.edu/collections/2137/collection_resources/163310/file/297402/transcript/93910/annotation/21","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"He might be washed up.","format":"text/plain"},"target":"https://aviary.library.vanderbilt.edu/collections/2137/collection_resources/163310/file/297402#t=70.99,72.85"},{"id":"https://aviary.library.vanderbilt.edu/collections/2137/collection_resources/163310/file/297402/transcript/93910/annotation/22","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Who knows what the treatment in that hospital would mean to his mere flexibility.","format":"text/plain"},"target":"https://aviary.library.vanderbilt.edu/collections/2137/collection_resources/163310/file/297402#t=72.85,77.39"},{"id":"https://aviary.library.vanderbilt.edu/collections/2137/collection_resources/163310/file/297402/transcript/93910/annotation/23","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"You know, they didn't let him play alto in the hospital.","format":"text/plain"},"target":"https://aviary.library.vanderbilt.edu/collections/2137/collection_resources/163310/file/297402#t=77.39,79.45"},{"id":"https://aviary.library.vanderbilt.edu/collections/2137/collection_resources/163310/file/297402/transcript/93910/annotation/24","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"You know, he was like doing gardening.","format":"text/plain"},"target":"https://aviary.library.vanderbilt.edu/collections/2137/collection_resources/163310/file/297402#t=79.45,81.05"},{"id":"https://aviary.library.vanderbilt.edu/collections/2137/collection_resources/163310/file/297402/transcript/93910/annotation/25","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"But he bounced back and he plays great.","format":"text/plain"},"target":"https://aviary.library.vanderbilt.edu/collections/2137/collection_resources/163310/file/297402#t=81.05,84.42"},{"id":"https://aviary.library.vanderbilt.edu/collections/2137/collection_resources/163310/file/297402/transcript/93910/annotation/26","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"And it's at this, let's say, amazing juncture.","format":"text/plain"},"target":"https://aviary.library.vanderbilt.edu/collections/2137/collection_resources/163310/file/297402#t=84.42,86.73"},{"id":"https://aviary.library.vanderbilt.edu/collections/2137/collection_resources/163310/file/297402/transcript/93910/annotation/27","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"And then a year later, we get the update.","format":"text/plain"},"target":"https://aviary.library.vanderbilt.edu/collections/2137/collection_resources/163310/file/297402#t=86.73,89.6"},{"id":"https://aviary.library.vanderbilt.edu/collections/2137/collection_resources/163310/file/297402/transcript/93910/annotation/28","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Parker is now making his music his way.","format":"text/plain"},"target":"https://aviary.library.vanderbilt.edu/collections/2137/collection_resources/163310/file/297402#t=89.6,91.78"},{"id":"https://aviary.library.vanderbilt.edu/collections/2137/collection_resources/163310/file/297402/transcript/93910/annotation/29","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"He's hand-picked this definitive Charlie Parker quintet","format":"text/plain"},"target":"https://aviary.library.vanderbilt.edu/collections/2137/collection_resources/163310/file/297402#t=91.78,95.87"},{"id":"https://aviary.library.vanderbilt.edu/collections/2137/collection_resources/163310/file/297402/transcript/93910/annotation/30","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"with Miles Davis on trumpet and Max Roach on drums,","format":"text/plain"},"target":"https://aviary.library.vanderbilt.edu/collections/2137/collection_resources/163310/file/297402#t=95.87,99.16"},{"id":"https://aviary.library.vanderbilt.edu/collections/2137/collection_resources/163310/file/297402/transcript/93910/annotation/31","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"and the night we get him at the Three Deuces, he's burning.","format":"text/plain"},"target":"https://aviary.library.vanderbilt.edu/collections/2137/collection_resources/163310/file/297402#t=99.16,102.32"},{"id":"https://aviary.library.vanderbilt.edu/collections/2137/collection_resources/163310/file/297402/transcript/93910/annotation/32","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"He is playing with the energy and excitement and genius","format":"text/plain"},"target":"https://aviary.library.vanderbilt.edu/collections/2137/collection_resources/163310/file/297402#t=102.32,105.93"},{"id":"https://aviary.library.vanderbilt.edu/collections/2137/collection_resources/163310/file/297402/transcript/93910/annotation/33","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"that Miles Davis has recently cited in his autobiography.","format":"text/plain"},"target":"https://aviary.library.vanderbilt.edu/collections/2137/collection_resources/163310/file/297402#t=105.93,109.67"},{"id":"https://aviary.library.vanderbilt.edu/collections/2137/collection_resources/163310/file/297402/transcript/93910/annotation/34","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"So here, a man who records just three separate gigs","format":"text/plain"},"target":"https://aviary.library.vanderbilt.edu/collections/2137/collection_resources/163310/file/297402#t=109.67,114.25"},{"id":"https://aviary.library.vanderbilt.edu/collections/2137/collection_resources/163310/file/297402/transcript/93910/annotation/35","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"in Charlie Parker's long career","format":"text/plain"},"target":"https://aviary.library.vanderbilt.edu/collections/2137/collection_resources/163310/file/297402#t=114.25,115.97"},{"id":"https://aviary.library.vanderbilt.edu/collections/2137/collection_resources/163310/file/297402/transcript/93910/annotation/36","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"captures him twice at crossroads","format":"text/plain"},"target":"https://aviary.library.vanderbilt.edu/collections/2137/collection_resources/163310/file/297402#t=115.97,118.86"},{"id":"https://aviary.library.vanderbilt.edu/collections/2137/collection_resources/163310/file/297402/transcript/93910/annotation/37","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"and in great form.","format":"text/plain"},"target":"https://aviary.library.vanderbilt.edu/collections/2137/collection_resources/163310/file/297402#t=118.86,120.43"},{"id":"https://aviary.library.vanderbilt.edu/collections/2137/collection_resources/163310/file/297402/transcript/93910/annotation/38","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Tell me specifically, in the California recordings, what you like to hear.","format":"text/plain"},"target":"https://aviary.library.vanderbilt.edu/collections/2137/collection_resources/163310/file/297402#t=120.43,185.89"},{"id":"https://aviary.library.vanderbilt.edu/collections/2137/collection_resources/163310/file/297402/transcript/93910/annotation/39","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"The California recordings, I go for the ballads, and I like both of the Sweet and Lovelies.","format":"text/plain"},"target":"https://aviary.library.vanderbilt.edu/collections/2137/collection_resources/163310/file/297402#t=185.89,191.9"},{"id":"https://aviary.library.vanderbilt.edu/collections/2137/collection_resources/163310/file/297402/transcript/93910/annotation/40","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"they're obviously a surprise to Dean Benedetti.","format":"text/plain"},"target":"https://aviary.library.vanderbilt.edu/collections/2137/collection_resources/163310/file/297402#t=191.9,195.86"},{"id":"https://aviary.library.vanderbilt.edu/collections/2137/collection_resources/163310/file/297402/transcript/93910/annotation/41","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"In the middle of two weeks of recording,","format":"text/plain"},"target":"https://aviary.library.vanderbilt.edu/collections/2137/collection_resources/163310/file/297402#t=195.86,197.86"},{"id":"https://aviary.library.vanderbilt.edu/collections/2137/collection_resources/163310/file/297402/transcript/93910/annotation/42","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Bird plays this 1930s ballad that he is not known to play.","format":"text/plain"},"target":"https://aviary.library.vanderbilt.edu/collections/2137/collection_resources/163310/file/297402#t=197.86,202.92"},{"id":"https://aviary.library.vanderbilt.edu/collections/2137/collection_resources/163310/file/297402/transcript/93910/annotation/43","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"And in fact, Benedetti makes some mistakes in the recordings","format":"text/plain"},"target":"https://aviary.library.vanderbilt.edu/collections/2137/collection_resources/163310/file/297402#t=202.92,205.53"},{"id":"https://aviary.library.vanderbilt.edu/collections/2137/collection_resources/163310/file/297402/transcript/93910/annotation/44","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"because he doesn't know how they'll routine it.","format":"text/plain"},"target":"https://aviary.library.vanderbilt.edu/collections/2137/collection_resources/163310/file/297402#t=205.53,207.96"},{"id":"https://aviary.library.vanderbilt.edu/collections/2137/collection_resources/163310/file/297402/transcript/93910/annotation/45","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"You know, usually when they do like A Night in Tunisia,","format":"text/plain"},"target":"https://aviary.library.vanderbilt.edu/collections/2137/collection_resources/163310/file/297402#t=207.96,210.11"},{"id":"https://aviary.library.vanderbilt.edu/collections/2137/collection_resources/163310/file/297402/transcript/93910/annotation/46","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"he knows when Bird's got a solo.","format":"text/plain"},"target":"https://aviary.library.vanderbilt.edu/collections/2137/collection_resources/163310/file/297402#t=210.11,211.51"},{"id":"https://aviary.library.vanderbilt.edu/collections/2137/collection_resources/163310/file/297402/transcript/93910/annotation/47","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"So he's ready and he starts a few seconds before Parker's solo and he gets it.","format":"text/plain"},"target":"https://aviary.library.vanderbilt.edu/collections/2137/collection_resources/163310/file/297402#t=211.51,215.45"},{"id":"https://aviary.library.vanderbilt.edu/collections/2137/collection_resources/163310/file/297402/transcript/93910/annotation/48","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"But he doesn't know the routine here and the recordings are flawed.","format":"text/plain"},"target":"https://aviary.library.vanderbilt.edu/collections/2137/collection_resources/163310/file/297402#t=215.45,219.02"},{"id":"https://aviary.library.vanderbilt.edu/collections/2137/collection_resources/163310/file/297402/transcript/93910/annotation/49","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"But, you know, he also recognized the same thing I think I felt 40 years later,","format":"text/plain"},"target":"https://aviary.library.vanderbilt.edu/collections/2137/collection_resources/163310/file/297402#t=219.02,223.86"},{"id":"https://aviary.library.vanderbilt.edu/collections/2137/collection_resources/163310/file/297402/transcript/93910/annotation/50","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"how special these records are, and he played them a lot.","format":"text/plain"},"target":"https://aviary.library.vanderbilt.edu/collections/2137/collection_resources/163310/file/297402#t=223.86,227.09"},{"id":"https://aviary.library.vanderbilt.edu/collections/2137/collection_resources/163310/file/297402/transcript/93910/annotation/51","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"And although you may follow my recommendation and play them here,","format":"text/plain"},"target":"https://aviary.library.vanderbilt.edu/collections/2137/collection_resources/163310/file/297402#t=227.09,230.67"},{"id":"https://aviary.library.vanderbilt.edu/collections/2137/collection_resources/163310/file/297402/transcript/93910/annotation/52","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"you're going to notice that Dean Benedetti played them a lot before you got at it","format":"text/plain"},"target":"https://aviary.library.vanderbilt.edu/collections/2137/collection_resources/163310/file/297402#t=230.67,234.24"},{"id":"https://aviary.library.vanderbilt.edu/collections/2137/collection_resources/163310/file/297402/transcript/93910/annotation/53","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"and that there's a lot of scratches material, but there's a beautiful melody thing.","format":"text/plain"},"target":"https://aviary.library.vanderbilt.edu/collections/2137/collection_resources/163310/file/297402#t=234.24,238.64"},{"id":"https://aviary.library.vanderbilt.edu/collections/2137/collection_resources/163310/file/297402/transcript/93910/annotation/54","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"And one other thing musically about this, in the bridge,","format":"text/plain"},"target":"https://aviary.library.vanderbilt.edu/collections/2137/collection_resources/163310/file/297402#t=238.64,241.82"},{"id":"https://aviary.library.vanderbilt.edu/collections/2137/collection_resources/163310/file/297402/transcript/93910/annotation/55","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Charlie Parker uses, and brilliantly so, an old music technique called a rosalia.","format":"text/plain"},"target":"https://aviary.library.vanderbilt.edu/collections/2137/collection_resources/163310/file/297402#t=241.82,249.27"},{"id":"https://aviary.library.vanderbilt.edu/collections/2137/collection_resources/163310/file/297402/transcript/93910/annotation/56","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"It's a use of dynamics, where you take a catchy phrase of the music you're trying to emote on","format":"text/plain"},"target":"https://aviary.library.vanderbilt.edu/collections/2137/collection_resources/163310/file/297402#t=249.27,255.04"},{"id":"https://aviary.library.vanderbilt.edu/collections/2137/collection_resources/163310/file/297402/transcript/93910/annotation/57","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"and you play it low-volume, high-volume, low-volume, high-volume, and then you resolve it.","format":"text/plain"},"target":"https://aviary.library.vanderbilt.edu/collections/2137/collection_resources/163310/file/297402#t=255.04,259.43"},{"id":"https://aviary.library.vanderbilt.edu/collections/2137/collection_resources/163310/file/297402/transcript/93910/annotation/58","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"And it's kind of simple, but it's used by the Mozarts of the world.","format":"text/plain"},"target":"https://aviary.library.vanderbilt.edu/collections/2137/collection_resources/163310/file/297402#t=259.43,264.11"},{"id":"https://aviary.library.vanderbilt.edu/collections/2137/collection_resources/163310/file/297402/transcript/93910/annotation/59","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"And here's another Mozart, Charlie Parker, and he uses it brilliantly in the bridge of Sweet and Lovely.","format":"text/plain"},"target":"https://aviary.library.vanderbilt.edu/collections/2137/collection_resources/163310/file/297402#t=264.11,294.63"},{"id":"https://aviary.library.vanderbilt.edu/collections/2137/collection_resources/163310/file/297402/transcript/93910/annotation/60","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"You were talking earlier about the session in New York with Miles Davis playing.","format":"text/plain"},"target":"https://aviary.library.vanderbilt.edu/collections/2137/collection_resources/163310/file/297402#t=294.63,302.23"},{"id":"https://aviary.library.vanderbilt.edu/collections/2137/collection_resources/163310/file/297402/transcript/93910/annotation/61","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Which music were you talking about there? What songs?","format":"text/plain"},"target":"https://aviary.library.vanderbilt.edu/collections/2137/collection_resources/163310/file/297402#t=302.23,304.51"},{"id":"https://aviary.library.vanderbilt.edu/collections/2137/collection_resources/163310/file/297402/transcript/93910/annotation/62","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"When I first started doing the research on this project, Jimmy Knepper remarked to me just in the middle of nothing that he said,","format":"text/plain"},"target":"https://aviary.library.vanderbilt.edu/collections/2137/collection_resources/163310/file/297402#t=304.51,312.02"},{"id":"https://aviary.library.vanderbilt.edu/collections/2137/collection_resources/163310/file/297402/transcript/93910/annotation/63","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"you know, there was one time, you know, Dean was very quiet because he was so busy.","format":"text/plain"},"target":"https://aviary.library.vanderbilt.edu/collections/2137/collection_resources/163310/file/297402#t=312.02,315.6"},{"id":"https://aviary.library.vanderbilt.edu/collections/2137/collection_resources/163310/file/297402/transcript/93910/annotation/64","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"He wanted to get this right, even though he was an amateur and indeed had limited equipment and all sorts of limitations.","format":"text/plain"},"target":"https://aviary.library.vanderbilt.edu/collections/2137/collection_resources/163310/file/297402#t=315.6,321.01"},{"id":"https://aviary.library.vanderbilt.edu/collections/2137/collection_resources/163310/file/297402/transcript/93910/annotation/65","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"But all of a sudden, Bird played his favorite phrase on all the things you are.","format":"text/plain"},"target":"https://aviary.library.vanderbilt.edu/collections/2137/collection_resources/163310/file/297402#t=321.01,326.11"},{"id":"https://aviary.library.vanderbilt.edu/collections/2137/collection_resources/163310/file/297402/transcript/93910/annotation/66","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"and then Dean Benedetti smiled and then a few seconds later he played his second favorite","format":"text/plain"},"target":"https://aviary.library.vanderbilt.edu/collections/2137/collection_resources/163310/file/297402#t=326.11,332.68"},{"id":"https://aviary.library.vanderbilt.edu/collections/2137/collection_resources/163310/file/297402/transcript/93910/annotation/67","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"phrase and Benedetti in one of those rare moments let out one of the few recorded documentation of","format":"text/plain"},"target":"https://aviary.library.vanderbilt.edu/collections/2137/collection_resources/163310/file/297402#t=332.68,338.56"},{"id":"https://aviary.library.vanderbilt.edu/collections/2137/collection_resources/163310/file/297402/transcript/93910/annotation/68","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"his voice he says both of them and it's such a relaxed satisfied voice it's of course like","format":"text/plain"},"target":"https://aviary.library.vanderbilt.edu/collections/2137/collection_resources/163310/file/297402#t=338.56,344.55"},{"id":"https://aviary.library.vanderbilt.edu/collections/2137/collection_resources/163310/file/297402/transcript/93910/annotation/69","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"everything else poorly recorded but anyway I didn't know which one it was and then I was","format":"text/plain"},"target":"https://aviary.library.vanderbilt.edu/collections/2137/collection_resources/163310/file/297402#t=344.55,349.87"},{"id":"https://aviary.library.vanderbilt.edu/collections/2137/collection_resources/163310/file/297402/transcript/93910/annotation/70","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"putting together in the final mastering the Three Deuces stuff from March 31st to 48 and I was just","format":"text/plain"},"target":"https://aviary.library.vanderbilt.edu/collections/2137/collection_resources/163310/file/297402#t=349.87,354.9"},{"id":"https://aviary.library.vanderbilt.edu/collections/2137/collection_resources/163310/file/297402/transcript/93910/annotation/71","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"you know, concentrating on, just like Benedetti was concentrating, on the audio technician role","format":"text/plain"},"target":"https://aviary.library.vanderbilt.edu/collections/2137/collection_resources/163310/file/297402#t=354.9,360.4"},{"id":"https://aviary.library.vanderbilt.edu/collections/2137/collection_resources/163310/file/297402/transcript/93910/annotation/72","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"that I was playing at this juncture. And all of a sudden, there was the voice, and Knepper's story","format":"text/plain"},"target":"https://aviary.library.vanderbilt.edu/collections/2137/collection_resources/163310/file/297402#t=360.4,364.46"},{"id":"https://aviary.library.vanderbilt.edu/collections/2137/collection_resources/163310/file/297402/transcript/93910/annotation/73","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"came through, and Dean Benedetti, hearing both phrases, says, both of them, on all the things you are.","format":"text/plain"},"target":"https://aviary.library.vanderbilt.edu/collections/2137/collection_resources/163310/file/297402#t=364.46,368.95"},{"id":"https://aviary.library.vanderbilt.edu/collections/2137/collection_resources/163310/file/297402/transcript/93910/annotation/74","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"That's a great story. When I listen to this, not being a really dedicated Charlie Parker fan,","format":"text/plain"},"target":"https://aviary.library.vanderbilt.edu/collections/2137/collection_resources/163310/file/297402#t=368.95,426.15"},{"id":"https://aviary.library.vanderbilt.edu/collections/2137/collection_resources/163310/file/297402/transcript/93910/annotation/75","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"It's a bit frustrating because I want to hear music and all I hear is bits and snippets and it's cut off.","format":"text/plain"},"target":"https://aviary.library.vanderbilt.edu/collections/2137/collection_resources/163310/file/297402#t=426.15,430.31"},{"id":"https://aviary.library.vanderbilt.edu/collections/2137/collection_resources/163310/file/297402/transcript/93910/annotation/76","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"And who is this set really for? Who's going to work for?","format":"text/plain"},"target":"https://aviary.library.vanderbilt.edu/collections/2137/collection_resources/163310/file/297402#t=430.31,433.27"},{"id":"https://aviary.library.vanderbilt.edu/collections/2137/collection_resources/163310/file/297402/transcript/93910/annotation/77","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Well, you know, Mosaic, the firm that called me to put this thing together,","format":"text/plain"},"target":"https://aviary.library.vanderbilt.edu/collections/2137/collection_resources/163310/file/297402#t=433.27,437.85"},{"id":"https://aviary.library.vanderbilt.edu/collections/2137/collection_resources/163310/file/297402/transcript/93910/annotation/78","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"was incredibly candid about the level of audio of this material.","format":"text/plain"},"target":"https://aviary.library.vanderbilt.edu/collections/2137/collection_resources/163310/file/297402#t=437.85,442.87"},{"id":"https://aviary.library.vanderbilt.edu/collections/2137/collection_resources/163310/file/297402/transcript/93910/annotation/79","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"And I used to look at their early advertisements and it seemed to me it was almost like saying, don't buy this.","format":"text/plain"},"target":"https://aviary.library.vanderbilt.edu/collections/2137/collection_resources/163310/file/297402#t=442.87,448.0"},{"id":"https://aviary.library.vanderbilt.edu/collections/2137/collection_resources/163310/file/297402/transcript/93910/annotation/80","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"And I said, what are you thinking? Did you hire me to do the job or do you want me to be the only customer you're ever going to have for it?","format":"text/plain"},"target":"https://aviary.library.vanderbilt.edu/collections/2137/collection_resources/163310/file/297402#t=448.0,452.96"},{"id":"https://aviary.library.vanderbilt.edu/collections/2137/collection_resources/163310/file/297402/transcript/93910/annotation/81","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"So I would say, well, who is going to buy this?","format":"text/plain"},"target":"https://aviary.library.vanderbilt.edu/collections/2137/collection_resources/163310/file/297402#t=452.96,456.28"},{"id":"https://aviary.library.vanderbilt.edu/collections/2137/collection_resources/163310/file/297402/transcript/93910/annotation/82","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Well, people who have followed the tale are going to want to hear what it really sounds like.","format":"text/plain"},"target":"https://aviary.library.vanderbilt.edu/collections/2137/collection_resources/163310/file/297402#t=456.28,461.2"},{"id":"https://aviary.library.vanderbilt.edu/collections/2137/collection_resources/163310/file/297402/transcript/93910/annotation/83","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"And then there are people who know that every solo that Charlie Parker played","format":"text/plain"},"target":"https://aviary.library.vanderbilt.edu/collections/2137/collection_resources/163310/file/297402#t=461.2,465.19"},{"id":"https://aviary.library.vanderbilt.edu/collections/2137/collection_resources/163310/file/297402/transcript/93910/annotation/84","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"is worth having for the grander study of jazz, whether or not you hear the melody chorus.","format":"text/plain"},"target":"https://aviary.library.vanderbilt.edu/collections/2137/collection_resources/163310/file/297402#t=465.19,469.51"},{"id":"https://aviary.library.vanderbilt.edu/collections/2137/collection_resources/163310/file/297402/transcript/93910/annotation/85","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"If your interest in Charlie Parker goes beyond a mere greatest hits kind of mentality,","format":"text/plain"},"target":"https://aviary.library.vanderbilt.edu/collections/2137/collection_resources/163310/file/297402#t=469.51,476.97"},{"id":"https://aviary.library.vanderbilt.edu/collections/2137/collection_resources/163310/file/297402/transcript/93910/annotation/86","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"if you want to have more than one Charlie Parker record,","format":"text/plain"},"target":"https://aviary.library.vanderbilt.edu/collections/2137/collection_resources/163310/file/297402#t=476.97,479.85"},{"id":"https://aviary.library.vanderbilt.edu/collections/2137/collection_resources/163310/file/297402/transcript/93910/annotation/87","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"then maybe this could be on your list because of the level of playing by Bird","format":"text/plain"},"target":"https://aviary.library.vanderbilt.edu/collections/2137/collection_resources/163310/file/297402#t=479.85,484.05"},{"id":"https://aviary.library.vanderbilt.edu/collections/2137/collection_resources/163310/file/297402/transcript/93910/annotation/88","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"and the directness of your ability to hear him.","format":"text/plain"},"target":"https://aviary.library.vanderbilt.edu/collections/2137/collection_resources/163310/file/297402#t=484.05,486.87"},{"id":"https://aviary.library.vanderbilt.edu/collections/2137/collection_resources/163310/file/297402/transcript/93910/annotation/89","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"It's Bird, Bird, Bird,","format":"text/plain"},"target":"https://aviary.library.vanderbilt.edu/collections/2137/collection_resources/163310/file/297402#t=486.87,488.84"},{"id":"https://aviary.library.vanderbilt.edu/collections/2137/collection_resources/163310/file/297402/transcript/93910/annotation/90","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"the thing you bought the record for","format":"text/plain"},"target":"https://aviary.library.vanderbilt.edu/collections/2137/collection_resources/163310/file/297402#t=488.84,490.5"},{"id":"https://aviary.library.vanderbilt.edu/collections/2137/collection_resources/163310/file/297402/transcript/93910/annotation/91","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"and nothing but the Bird.","format":"text/plain"},"target":"https://aviary.library.vanderbilt.edu/collections/2137/collection_resources/163310/file/297402#t=490.5,491.65"},{"id":"https://aviary.library.vanderbilt.edu/collections/2137/collection_resources/163310/file/297402/transcript/93910/annotation/92","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Phil Schaap talking with us from New York.","format":"text/plain"},"target":"https://aviary.library.vanderbilt.edu/collections/2137/collection_resources/163310/file/297402#t=491.65,501.15"},{"id":"https://aviary.library.vanderbilt.edu/collections/2137/collection_resources/163310/file/297402/transcript/93910/annotation/93","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"He's the producer of the complete","format":"text/plain"},"target":"https://aviary.library.vanderbilt.edu/collections/2137/collection_resources/163310/file/297402#t=501.15,502.92"},{"id":"https://aviary.library.vanderbilt.edu/collections/2137/collection_resources/163310/file/297402/transcript/93910/annotation/94","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Dean Benedetti recordings of Charlie Parker.","format":"text/plain"},"target":"https://aviary.library.vanderbilt.edu/collections/2137/collection_resources/163310/file/297402#t=502.92,516.32"},{"id":"https://aviary.library.vanderbilt.edu/collections/2137/collection_resources/163310/file/297402/transcript/93910/annotation/95","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"It's all","format":"text/plain"},"target":"https://aviary.library.vanderbilt.edu/collections/2137/collection_resources/163310/file/297402#t=516.32,517.32"}]}]}]}